Hors-la-loi is a poetic suite about the trauma and injustice of violence against women, people who identify with femininity, and people who are socialized or perceived as women.
Programming
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2001 two thousand and one
Robyn Moody
Brand Removal ProjectRead moreRobyn Moody set up a "mark removal" booth in the antibody gallery.
BFO Projects
Mitch Robertson, Toby Heys and Women with Kitchen Appliances Room + BoardRead moreThis project required the participation of Montreal artists who were asked to transform the DARE-DARE space into a "hostile environment for art".
Valérie Blass
Le regard des animaux sur la figureRead moreThe animals' view of the figure is a playful yet rigorous investigation of the possible reactions of different animals to art objects placed in their natural environment.
Kirsten Forkert
Entre nous deux...Read moreKirsten Forkert uses the Goethe Institute's film room to explore human relationships. Her project focuses on the visitor's personal experience as an audience.
Jean Derome and Joane Hétu
Nous perçons les oreillesRead moreFree concert including voices, saxophones, flute, various small wind instruments.
Christine Maigne
EruptionRead moreChristine Maigne proposes to make pilosities appear on the walls of the gallery which are usually devoid of them.
Marie-Andrée Rho
PROFILS URBAINS le corps, un espace secretRead moreTwo public events from midday to sunset.
Ani Deschênes
ANIMAUX URBAINSRead moreSince September 2000, I have chosen to explore an urban habitat where I can observe the encounters between humans and animals.
Bingo Rock'n Roll
fundraising eventRead moreCome and play at the DARE-DARE Benefit Bingo at the Centre de loisirs communautaires Lajeunesse. Louise Dubreuil will host the evening to the lively beat of 50s music. Lots and lots of prizes to be won!
Jean-Pierre Gauthier and Martin Tétreault
Face BRead moreThe exhibition Face B brings together musician Martin Tétreault and installation artist Jean-Pierre Gauthier. Each presents a little-known aspect of his production: Tétreault exposes the results of a year of daily interventions in a 365-page art history book and Gauthier introduces us to his research in experimental music.