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  • METHODS AND GAMES IN SPACE : HABITABLE ZONES II

    METHODS AND GAMES IN SPACE : HABITABLE ZONES II
    Programming 2025-2026
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  • Salima punjani

    Salima punjani
    Holding, Release

    Holding Release is a gesture of mutual support, hosted at the HALTE. Visitors will be invited to release something that feels heavy for them, and to support someone else with an act of mutual holding.

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  • Poésies publiques

    Poésies publiques
    The Trois-Rivières component of Public Writings

    In partnership with La Fenêtre and Culture Trois-Rivières and to mark its 40th anniversary, DARE-DARE is installing a neon sign in Trois-Rivières to present poems by 16 authors.

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  • Marcella França

    Marcella França
    BECAUSE YOU DON'T CARE

    Displayed from August 7 to October 29 on the illuminated sign at Sainte-Cunégonde Park, the poetic corpus highlights how patriarchal logics of domination—which exploit the bodies of cis and trans women—are the same as those that violate the Earth.

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  • Caroline Loncol Daigneault

    Residency
    Caroline Loncol Daigneault
    Confluences Residency
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  • Maxence Croteau

    Residency
    Maxence Croteau
    Micro-residency at La HALTE: partage de pollens

    In July, Maxence Croteau was in micro-residency at La HALTE to draw inspiration from DARE-DARE's art book collection.

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  • Caroline Gagné

    Caroline Gagné
    Peupleraie - Corps social et corps sonore

    Peupleraie invites us to explore the soundscape of a community of trees, poplars, in the urban fabric of the Petite-Bourgogne neighborhood and the Lachine Canal, as a metaphor for the “living environment” and the social body.

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  • Double outdoor launch

    Double outdoor launch
    Peupleraie by Caroline Gagné and a publication by Alexandre Piral

    On September 20, come celebrate the launch of Caroline Gagné's intervention project and the release of a retrospective publication on DARE-DARE's 2024-2025 programming, designed by researcher-in-residence Alexandre Piral.

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Archives

2001      two thousand and one

  • Robyn Moody

    Robyn Moody
    Brand Removal Project

    Robyn Moody set up a "mark removal" booth in the antibody gallery.

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  • BFO Projects

    BFO Projects
    Mitch Robertson, Toby Heys and Women with Kitchen Appliances Room + Board

    This project required the participation of Montreal artists who were asked to transform the DARE-DARE space into a "hostile environment for art".

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  • Valérie Blass

    Valérie Blass
    Le regard des animaux sur la figure

    The animals' view of the figure is a playful yet rigorous investigation of the possible reactions of different animals to art objects placed in their natural environment.

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  • Kirsten Forkert

    Kirsten Forkert
    Entre nous deux...

    Kirsten Forkert uses the Goethe Institute's film room to explore human relationships. Her project focuses on the visitor's personal experience as an audience.

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  • Jean Derome and Joane Hétu

    Jean Derome and Joane Hétu
    Nous perçons les oreilles

    Free concert including voices, saxophones, flute, various small wind instruments.

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  • Christine Maigne

    Christine Maigne
    Eruption

    Christine Maigne proposes to make pilosities appear on the walls of the gallery which are usually devoid of them.

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  • Marie-Andrée Rho

    Marie-Andrée Rho
    PROFILS URBAINS le corps, un espace secret

    Two public events from midday to sunset.

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  • Ani Deschênes

    Ani Deschênes
    ANIMAUX URBAINS

    Since September 2000, I have chosen to explore an urban habitat where I can observe the encounters between humans and animals.

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  • Bingo Rock'n Roll

    Bingo Rockn Roll
    fundraising event

    Come and play at the DARE-DARE Benefit Bingo at the Centre de loisirs communautaires Lajeunesse. Louise Dubreuil will host the evening to the lively beat of 50s music. Lots and lots of prizes to be won!

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  • Jean-Pierre Gauthier and Martin Tétreault

    Jean-Pierre Gauthier and Martin Tétreault
    Face B

    The exhibition Face B brings together musician Martin Tétreault and installation artist Jean-Pierre Gauthier. Each presents a little-known aspect of his production: Tétreault exposes the results of a year of daily interventions in a 365-page art history book and Gauthier introduces us to his research in experimental music.

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