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  • Laetitia de Coninck

    Laetitia de Coninck
    Percolation

    The Percolation public writing project was created from an investigation of/with Parc Sainte-Cunégonde, where knowledge and experiential knowledge are distilled and incorporated to create short texts in a geopoetic approach, an approach to places that is both sensitive and poetic.

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  • METHODS AND GAMES IN SPACE : HABITABLE ZONES I

    METHODS AND GAMES IN SPACE : HABITABLE ZONES I
    2023-2024 programming

    This program seeks to reflect, stimulate and activate, in all its diversity, the methodological inventiveness of in situ/in socius artistic practices and their transformative potential.

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  • CATHERINE LALONDE MASSECAR

    CATHERINE LALONDE MASSECAR
    À la recherche de la variable humaine (X)

    To explore the theme of “Methods and games of space: zones of existence" as part of DARE-DARE's programming, Catherine Lalonde Massecar proposes an approach based on the Machine génératrice de protocoles (mgP) she created in 2022.

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Archives

2014      two thousand and fourteen

  • ADRIANA DISMAN

    ADRIANA DISMAN
    INTIMATE WITH FEAR or The inside of your home is the inside of you and vice versa

    I invite you to invite me to your home. I invite you to invite me to explore your objects, your space ... and to ask you some questions.

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  • Mélissa Simard and Camilche Cardenas

    Mélissa Simard and Camilche Cardenas
    Minorité invisible

    "Minorité invisible" must be listened to with a blindfold. The project's subject is the dissemination and poeticization of the sound territory, the search for the invisible.

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  • DARE-DARE RADIO

    DARE-DARE RADIO

    To increase and refine its field of action, DARE-DARE innovates this year and grafts a punctual radio component to its programming.

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  • VINCENT CHARLEBOIS

    VINCENT CHARLEBOIS
    Le pelleteur de gravier

    This operation is repetitive and without any other purpose other than to move a stack of rocks. When the worker is exhausted, the gravel is left in place until the next shoveling session.

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  • AURÉLIE PEDRON

    AURÉLIE PEDRON
    RÛE

    RÛE consists of a series of research on the movement, realized alone or in duet and which develop on the mode of the meeting.

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  • GENEVIÈVE LETARTE

    GENEVIÈVE LETARTE
    Fenêtre sans rideau

    The suite of unpublished poems that I propose here is at the same time a pagan haiku, an intimate slogan, an existential ad. In short, an individual word which wants to be collective according to the famous "I is another" of Rimbaud.

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  • CALL FOR PROPOSALS 2015-2016

    CALL FOR PROPOSALS 2015-2016
    MICROINTERVENTIONS

    For its 2015-2016 programming, DARE-DARE proposes a framework around the notion of infiltration.

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  • Pohanna Pyne Feinberg

    Residency
    Pohanna Pyne Feinberg
    While Walking - Research residency

    How does walking contribute to the creative process? How can we understand walking as an art form? How does interaction with public space influence artistic walking practices?

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  • GUILLAUME BOUDRIAS-PLOUFFE

    GUILLAUME BOUDRIAS-PLOUFFE
    Le lutteur à l'eau de rose

    Performance tribute to the signer Fernand Gignac. Come sing your popular tune in "friendly duels" on September 24th, starting at 6 pm on Place des Arts Esplanade in front of the Montreal Museum of Contemporary Art.

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  • BLOGUEURS EN CAPTIVITÉ

    BLOGUEURS EN CAPTIVITÉ
    Interventions within the Public Space and the Internet

    Bloggers in captivity, guest artists Adam Bergeron (Quebec City) and Karen Elaine Spencer (Montreal) have accepted the challenge of imprisonment and alienation during the three-day event.

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  • MAUDE S. PILON

    MAUDE S. PILON
    INSTRUCTION DERNIÈRE

    Invite people to the launch of the publication « les instructions inhospitalières » following the non-propitiousness of a project due to the disharmony of two networks.

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  • Arkadi Lavoie Lachapelle

    Arkadi Lavoie Lachapelle
    I Love You the Way You Hate

    The project reinterprets the slogan "I love myself as I am". Well used in the mercantile sauce to sell products or to promote ideologies aiming at the "well being" (especially with women), it often evacuates the questioning: "Who do I love?

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  • Geneviève Amyot

    Geneviève Amyot
    Nous sommes beaucoup qui avons peur

    Fear, especially its confrontation, is at the heart of Geneviève Amyot’s work and most of all in "Nous sommes beaucoup qui avons peur", published posthumous in 2003 by Éditions du Noroît.

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  • PASSEPORT 2014 + FESTIVE EVENING

    PASSEPORT
    PASSEPORT 2014 + FESTIVE EVENING
    fundraising activity

    This project consists of an itinerary where participants are invited to collect works/prints by DARE-DARE artists in various locations in the Quartier des spectacles.

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  • Sonia Pelletier

    Residency
    Sonia Pelletier
    Research residency - “Unpredictable” pictorial practises in public space: a challenge?

    As part of its Critical Space program, DARE-DARE welcomes Sonia Pelletier.

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  • Edith Brunette

    Residency
    Edith Brunette
    Research residency
    Art in Public Space: When Politics Meet Practise

    As part of its Critical Space program, DARE-DARE welcomes Edith Brunette.

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  • Viviane Namaste

    Viviane Namaste
    Quartier des spectacles : What's invisible is spectacular

    Ten statements invite passers-by to better understand the neighborhood in which the illuminated sign is located. The statements aim to make visible forgotten elements of daily life in the Quartier des spectacles: the popular singer, the native art, the demolition of housing, the closing of an Arab grocery store...

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  • MAUDE S. PILON

    MAUDE S. PILON
    Lectures publiques des instructions inhospitalières

    These readings, which propose a confrontation between the textual and the real, will take place in the waiting room, the corridor, the lobby, the elevator, the cafeteria, the patient's room and the doctor's office of a Montreal hospital.

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  • MANUELA LALIC

    MANUELA LALIC
    3 PROJECTS

    Manuela Lalic uses the fundamental contradictory similarities of snow and polystyrene in order to immerse herself in the public space with humour.

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  • SYLVIE LALIBERTÉ

    SYLVIE LALIBERTÉ

    Sylvie Laliberté started her practice doing performance in 1985, and then extended it to video and writing.

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