Programming

DARE-DARE invites you to a brief public space research experience at HALTE (Pavilion for Reference and Reflection on Art in Public Space) in the fall of 2021.

In order to generate further research on its thematic programming TRADUCTION, DARE-DARE has invited Kama la Mackerel to establish links between the 2021-2022 artists, regardless of the field in which they are active.

To conclude her year-long research residency, author Josianne Poirier has produced the fanzine Plus que deux.

The purpose of this series of podcasts is to offer visibility to the words of the artists who participated in FRICTIONS programming (2018-2019), by giving them, individually, a long speaking time.

Writer-in-Residence Renata Azevedo Moreira takes a fresh look at the work of artist duos formed for the Duology programming year.

An exchange project aiming exhibits, production and dialogues between artists and cultural workers from Cuba and Montreal, which will unfold in two moments : in Montreal (Spring and fall of 2019) and in Havana (Fall 2019).

Lauzier uses the walk to create a context that encourages exchange and brings the interviewed artist to talk about his/her work differently. It is also an excuse to discuss the place where one is and to make bridges between the space and the artistic approach of the artist.

How does walking contribute to the creative process? How can we understand walking as an art form? How does interaction with public space influence artistic walking practices?

As part of its Critical Space program, DARE-DARE welcomes Sonia Pelletier.

As part of its Critical Space program, DARE-DARE welcomes Edith Brunette.

Through my research residency at the DARE-DARE Center, I sought to understand what the artistic, social and political stakes of the "revolutionary adventure" of the first Place des Arts really were.

For the month of August, Artist-in-Residence Wes Johnston will be studying the work of the Montreal Transportation and Public Works department. Using a bicycle mounted surveillance camera, Wes will gather photographic evidence of markings which indicate subterranean infrastructure and ostensibly indicate the potential for 'work' and excavation.

Miquel Garcia Membrado (Barcelona) questions the role of the artist and censorship within contemporary art practices.