Programming

The project Todo Lengua is an invitation to become language, completely and in every sense. It seeks to offer a space for embodied and collective reading to find relationships between words, sounds, bodies and territories.

The collective Phorie takes posession of the HALTE for a few days of research in our collection, followed by a collective activity similarly to a Circle of reading.

From a daily and rigorous collection of her dreams and observation of everyday life circumstances, Camila Vásquez develops research processes surrounding the dream space.

This summer, DARE-DARE invites you to experience a research blitz in the public space. The micro-residencies aim to question and (re)animate our relationship to reading, archives and exchange.

Laurence Beaudoin Morin and Leisure collective (Meredith Carruthers & Susannah Wesley) come at The HALTE for brief research residencies in our collection, in preparation for collective activities they will initiate.

DARE-DARE invites you to a brief public space research experience at HALTE (Pavilion for Reference and Reflection on Art in Public Space) in the fall of 2021.

In order to generate further research on its thematic programming TRADUCTION, DARE-DARE has invited Kama la Mackerel to establish links between the 2021-2022 artists, regardless of the field in which they are active.

To conclude her year-long research residency, author Josianne Poirier has produced the fanzine Plus que deux.

The purpose of this series of podcasts is to offer visibility to the words of the artists who participated in FRICTIONS programming (2018-2019), by giving them, individually, a long speaking time.

Writer-in-Residence Renata Azevedo Moreira takes a fresh look at the work of artist duos formed for the Duology programming year.

An exchange project aiming exhibits, production and dialogues between artists and cultural workers from Cuba and Montreal, which will unfold in two moments : in Montreal (Spring and fall of 2019) and in Havana (Fall 2019).

Lauzier uses the walk to create a context that encourages exchange and brings the interviewed artist to talk about his/her work differently. It is also an excuse to discuss the place where one is and to make bridges between the space and the artistic approach of the artist.

How does walking contribute to the creative process? How can we understand walking as an art form? How does interaction with public space influence artistic walking practices?

As part of its Critical Space program, DARE-DARE welcomes Sonia Pelletier.

As part of its Critical Space program, DARE-DARE welcomes Edith Brunette.

Through my research residency at the DARE-DARE Center, I sought to understand what the artistic, social and political stakes of the "revolutionary adventure" of the first Place des Arts really were.