Programming

Through very simple mechanisms, Peter Conlin (Vancouver) draws us into a poetic relationship with images by highlighting their fragility and ephemeral nature.

This project stems from a research on the concept of container inscribing itself between the poles of the industrial world and the organic world, between technicity and nature.

Yves Gendreau installed a construction sign with no inscription on a vacant lot in Montreal's central business district.

While in Quebec, DARE-DARE invited Belgian artist/theorist/educator Jean-François Pirson to share his poetic reflections on the relationship of the body to "the architecture of the everyday".

Offering an ironic and feminist look at the workplace, seven percussive "secretaries" shook their bureaucratic chips to the delight of the audience.

It is an investigation around the movements of the camera and the monitor. More precisely, a device where the movement of the monitor cancels the movement made by the camera at the time of the shooting.

This installation project outside the walls of DARE-DARE pursues an approach linked to the appropriation of disused industrial sites as metaphorical elements, conducive to a questioning of certain symbols of our contemporary environment.

The project is presented as a series of sound frames, in which the movement of automatons is made audible through the use of ultrasonic sensors.

With the help of devices equipped with magnifying lenses, the artist closely observed the surface of his skin as if it were something absolutely unknown.

For the Month of Photography event, DARE-DARE presents a project by the artist André Clément.

Reading in front of an audience.

An interactive installation.

A Belgian artist recently settled in Montreal, Stéphane Gilot presents at DARE-DARE an installation that highlights elements of painting and architecture.

With the project, DARE-DARE presents the work of three artists who are not yet well known to the public: Peter Conlin, Chloé Lefebvre and Philippe Tessier.

Started more than three years ago, Massimo Guerrera's project develops around the Canteen, a group formed with Patrick Bourque and Isabelle Chabot.

To suppose to the work of art a glance and, even more, a kind of pre-existence to its materialization, a "presence elsewhere", that the work of the artist makes appear: these propositions found the report of Pierre Bellemare to his work.