Programming

A Belgian artist recently settled in Montreal, Stéphane Gilot presents at DARE-DARE an installation that highlights elements of painting and architecture.

With the project, DARE-DARE presents the work of three artists who are not yet well known to the public: Peter Conlin, Chloé Lefebvre and Philippe Tessier.

Started more than three years ago, Massimo Guerrera's project develops around the Canteen, a group formed with Patrick Bourque and Isabelle Chabot.

To suppose to the work of art a glance and, even more, a kind of pre-existence to its materialization, a "presence elsewhere", that the work of the artist makes appear: these propositions found the report of Pierre Bellemare to his work.

Reading event of excerpts from "Un rien me tue", "Les vers" and "Chroniques de l'Express.

Josée Fafard and Stéphane Gregory's moving installation mainly features a tent as well as various accessories related to the three "catastrophes" (snowstorm, meteorite fall, flood of instant coffee) that alternately parasitized the installation during its exhibition period.

It is with great pleasure that DARE-DARE inaugurates its 1996-1997 programming and its new premises by offering to the public the project of a member artist, Lise Nantel.

A proposal about landscape and the various ways it is perceived in our society.

A corpus of some 2000 drawings of various formats, grouped together in the form of wall installations.

In the two series of works in this exhibition, the technology used to make the images was both exposed as a process and summoned as a visual metaphor for the artist's relationship with his social and physical environment.

An installation that includes photography, sculpture, texts written by the artist, and a set of artifacts using various techniques such as photogravure, photo-serigraphy and engraving.

A set of works where performance, video, photography and a set of artifacts arranged in the form of an installation are brought together.

The two artists proposed a series of portraits created by correspondence, in the mode of an exquisite corpse. Drawing, mail art and installation in gallery.

The artist presents a series of photographs of bodies immersed in water, where transparency becomes doubly present as a real medium and virtual image.

Lucie Ouellet proposes a photographic exploration of the different metaphorical meanings that the body can suggest.

Katja Macleod proposes a painting-installation that refers to the memories of her childhood in post-war Germany.