Programming

In the immigrant trajectory, from one generation to the next, the fracture between the mother tongues of the parent and the child makes each word an issue, each expression a labyrinth where countries mix.

Karianne Trudeau Beaunoyer presents a series of 12 sentences composed from the answers of fifteen creators to a questionnaire on their perceptions relative to death.

The work is a monumental ephemeral installation in the tradition of land art. Through this strong and unequivocal artistic gesture, he creates a direct link with the invasive problem of the emerald ash borer.

The starting point of the artwork is to locate urban furniture elements that are damaged in order to perform «repairs» on them. This operation initiates an artistic gesture where the repairing partly dictates the choice of shapes, scales and materials. The objective is to position my sculptures as prostheses replacing the missing or broken parts of selected objects.

Ambul Art Montreal is an open group with members who share an interest in the intersections between walking and art.

"ODYSSÉE" celebrated the first 10 years of the projet d'articulation urbaine : Dis/location of DARE-DARE (2004 to 2014) and the continued presence of the Centre in the public space.

Bloggers in captivity, guest artists Adam Bergeron (Quebec City) and Karen Elaine Spencer (Montreal) have accepted the challenge of imprisonment and alienation during the three-day event.

As part of its Critical Space program, DARE-DARE welcomes Sonia Pelletier.

As part of its Critical Space program, DARE-DARE welcomes Edith Brunette.

The Nights of La Nuit de la poésie (March 27th, 1970 and March 28th, 1980) inspired Francys Chenier’s project. The artist walked around Quartier des spectacles with a trolley full of images inspired by the atmosphere of those Nuits.

This series of original performative actions is designed specifically for the context of the Quartier des spectacles, and will develop over the cycle of the four seasons of an entire year.

This project is the continuation of a series of interventions based on drawing that the artist leads and which are embodied in actions of cleaning of public spaces or dedicated to the arts.

As part of the ABC: MTL exhibition at the Canadian Centre for Architecture, this round table presents the issues encountered during the five Dis/location moorings, and proposes a discussion of the limits of disseminating multidisciplinary works in public space.

This annual world event, that brings together artists, citizens, elected officials and organizations, aims to raise awareness of the value of the urban space occupied by the parking spaces.

For the month of August, Artist-in-Residence Wes Johnston will be studying the work of the Montreal Transportation and Public Works department. Using a bicycle mounted surveillance camera, Wes will gather photographic evidence of markings which indicate subterranean infrastructure and ostensibly indicate the potential for 'work' and excavation.

A reflection on uniformity, organization and community as it relates to history and the role of public space. As though conducting a lab, the artist observes, plans and experiments with group movement within and occupation of public space.