Programming

Roseline Lambert presents twelve plants rooted in the Sainte-Cunégonde park. These words of plants and trees are translated into several languages to testify to the human sounds that these plants have heard during their vegetal reign.

At the billboard, Amélie Dumoulin proposes to "dry" words recovered after washing and explore the interferences of translations that are frequently found on clothing labels and instruction manuals for household appliances.

DARE-DARE forges ahead with its urban poetry/writing project. Borrowing the brief form of the tagline, haiku or tweet, these short sentences, aphorisms, poems or questions are displayed in a light box for a week

Spreading mind across Land through root systems; we hold together a dialogue dawning us into mourning.

Let's love each other in our own way during our time and its catastrophes. This series of 18 poems follows a (self-)residency of the artist near her place of living.

After investing DARE-DARE's public poetry billboard for several months with their own words, Gabrielle Giasson-Dulude (G) and Nicholas Dawson (N) begin their duology by gradually stitching together a common poetic backyard from those known throughout their lives.

On the billboard will lay beasts, half asleep beasts, attentive to the to and fro movements of their stomachs.

DARE-DARE begins with the Montreal writer a new cycle of Public Writings

Following the (de)possession Evening of Poetry, DARE-DARE concludes the 2018-19 cycle of Public Writing with proposals from the 6 participating authors : Sébastien B. Gagnon, Gabrielle Giasson-Dulude, Marie-Paule Grimaldi, Jonathan Lamy Beaupré, Chantal Neveu and Maude Veilleux.

I am attracted by the idea of spending time near a trailer. It will be my safe shack from all the Technos of the world, my beautiful breakaway to tinker images in few words -but in BOLD type!

Julie Delporte produces comics, children's books, illustrations, ceramics and anxiety. She lives in Montreal, always loves animals, often plants and sometimes humans.

Interweaving imagination and collective memory, Claire Moeder composes the stories of 24 inventoried artworks, indices of a sliding heritage and an underground history, all revisited through creative writing.

My lists also track the ordinary. But an invisible ordinary. They give a density to things that leave no trace.

The yellow sign thwarts the idea that everything must have a reason for being and a easily identifiable function. Because art is freer than expected, I want to present simple everyday sentences. Small moments in words.

We consider our equations as opportunities to spot ambiguities and boost the relations between neighboring concepts. Also we would like to offer the chance to all users (author ‐ displayer ‐ viewer) to feel free to manipulate them by changing side at any of the words that appear in an equation.

Poetry inspired by the field of administration. A universe that is miles away from my work as an author and artist.