Programming

For her participative project, she chose to install a patio swing on the site of DARE-DARE. This emblematic object of popular culture becomes here a friendly platform of investigation on dialogue and intersubjectivity. Throughout this installation in Saint-Henri, this patio swing will be perpetually transformed and will undergo multiple mutations before returning to the backyard in the Villeray district, where it comes from.

This project is the result of a long reflection on the relationship between repetition, experience and language. It is a performance realized by a group of performers who carry out several distinct actions in the public space.

The art day camp project "DÉFILER L'HISTOIRE" wishes to celebrate the heritage and history of the St-Henri district, so that it can be made known to the children through three creative workshops led by professional artists Christine Comeau, Noémi McComber and Martin Dufrasne.

The artist brings together people from all backgrounds who want to share their dreams in a small group and live a common experience. Dreams, wishes, fantasies, ambitions, any form of dream is welcome!

The project will use correspondences that the filmmaker received from friends, over the years, living in Verdun to create an alternative map of the borough that puts an emphasis on the awareness of the essence of everyday places.

Presented as part of the Journées de la culture, this cultural activity consists of an artistic tour during which participants are invited to collect works / prints by artists selected by DARE-DARE.

A gentle immersion into the world of lullabies, BERCER LE TEMPS invites to travel aboard a rocking chair. Set up in the heart of the city, the installation welcomes visitors in a suspended time-space outside of the surrounding urban bustle. Feet on the grass, swinging along, everyone can get carried away by the echoes of childhood through songs from all over the world.

The event is both an in situ performance and a collective experience of crossing large spaces. These walks are proposed to a group of about twenty spectators and begin with a protocol recorded and illustrated by Alain Michard and Mathias Poisson.

You are invited to visit the artist and take a seat on the DARE-DARE site at the corner of Notre-Dame and Atwater to talk about art.

Grumman 1974. Manual transmission. A mobile structure that will frame the unpredictable. White, with spaces painted in blackboard; an invitation to leave words in it.

A year-long project. I realize that this will be a particularly difficult task: Doing nothing (anticipated paradox).

Invite people to the launch of the publication « les instructions inhospitalières » following the non-propitiousness of a project due to the disharmony of two networks.

This project consists of an itinerary where participants are invited to collect works/prints by DARE-DARE artists in various locations in the Quartier des spectacles.

These readings, which propose a confrontation between the textual and the real, will take place in the waiting room, the corridor, the lobby, the elevator, the cafeteria, the patient's room and the doctor's office of a Montreal hospital.

Through my research residency at the DARE-DARE Center, I sought to understand what the artistic, social and political stakes of the "revolutionary adventure" of the first Place des Arts really were.

In this ambitious project, the artists Magali Babin and Sylvie Cotton will collect the first names of every person living in the HJM, creating a unique soundtrack from the collection.