Programming

Through very simple mechanisms, Peter Conlin (Vancouver) draws us into a poetic relationship with images by highlighting their fragility and ephemeral nature.

This project stems from a research on the concept of container inscribing itself between the poles of the industrial world and the organic world, between technicity and nature.

It is an investigation around the movements of the camera and the monitor. More precisely, a device where the movement of the monitor cancels the movement made by the camera at the time of the shooting.

This installation project outside the walls of DARE-DARE pursues an approach linked to the appropriation of disused industrial sites as metaphorical elements, conducive to a questioning of certain symbols of our contemporary environment.

With the help of devices equipped with magnifying lenses, the artist closely observed the surface of his skin as if it were something absolutely unknown.

For the Month of Photography event, DARE-DARE presents a project by the artist André Clément.

An interactive installation.

A Belgian artist recently settled in Montreal, Stéphane Gilot presents at DARE-DARE an installation that highlights elements of painting and architecture.

With the project, DARE-DARE presents the work of three artists who are not yet well known to the public: Peter Conlin, Chloé Lefebvre and Philippe Tessier.

Started more than three years ago, Massimo Guerrera's project develops around the Canteen, a group formed with Patrick Bourque and Isabelle Chabot.

DARE-DARE invites artists to create a work of art no larger than 3 inches x 3 inches.

Josée Fafard and Stéphane Gregory's moving installation mainly features a tent as well as various accessories related to the three "catastrophes" (snowstorm, meteorite fall, flood of instant coffee) that alternately parasitized the installation during its exhibition period.

It is with great pleasure that DARE-DARE inaugurates its 1996-1997 programming and its new premises by offering to the public the project of a member artist, Lise Nantel.

A proposal about landscape and the various ways it is perceived in our society.

A corpus of some 2000 drawings of various formats, grouped together in the form of wall installations.

In the two series of works in this exhibition, the technology used to make the images was both exposed as a process and summoned as a visual metaphor for the artist's relationship with his social and physical environment.