Programming

Karen Trask began reading Marcel Proust's À la recherche du temps perdu. Inspired by the conditions that led to the creation of this work, Trask decided to reinterpret and build, in a shed, the context, the room and the bed of Proust.

AT WORK / AT WORK is a call for open and free collaboration. This experimental project proposes to artists and workers to consider their workplaces as an artistic place of residency.

The artist creates a project in the neighborhoods adjacent to the Jean-Talon Market. The artist presents Les fruits de poteaux, a series of interventions in two parts: the production and marketing on a small scale of a system of public trolleys.

Borders divide us. Borders bring us closer. Borders belong to us. They are geographical, cartographic, political, linguistic, ethnic, social, economic, cultural... They are infinite. But they are not indefinite.

Hannah Jickling and Valerie Salez apply to the task of shoveling snow like most people in the Nordic countries do. Except that they leave the "management and maintenance" aspect of it to propose a very different approach.

Inspired by Pops caravan that nourishes the heart as well as the body, Video Paradiso wants to feed the spirit of the street youth of the big cities as well as the young people of the native communities.

Exploration of temporality: internalizing the "divided" secular time of the here-and-now into a continuous and unified time. Giving a sacred sense to the use of time through performative action. A physical work on slowness, repetition, immobility and forced displacement.

The Notre-Dame-de-Grâce Scouts will install several life-size figures (silhouettes) in different public places in the city. On each of them will be painted a target.

The installation is composed of two generic spaces: a waiting room and an office. These spaces are occupied by institutional furniture.

"BUREAU©" presents during the weekends of July a series of five flying tents and BUREAU installations near the Lachine Canal.

Natacha Roussel hijacks interactive 3D. She uses it in conjunction with sculpture to create an immersive environment that addresses the organic world and through it the most archaic feelings.

Robyn Moody set up a "mark removal" booth in the antibody gallery.

Kirsten Forkert uses the Goethe Institute's film room to explore human relationships. Her project focuses on the visitor's personal experience as an audience.

Since September 2000, I have chosen to explore an urban habitat where I can observe the encounters between humans and animals.

The position of the viewer in the work is an important and current topic that Karen Spencer addresses using the strategy of duality: on the one hand, a personalized encounter around a very simple action in the room and on the other hand, the inscription of her personal and intimate life in the more formal context of the gallery.

On the occasion of its fifteenth anniversary, the members and friends of DARE-DARE invite you to four days of collective venting, which we hope will guide you along the path to happiness.