Programming

DARE-DARE presents Lise Landry and Lise Nantel interested in a creative process of double interaction: between the artists themselves, but also between the artists and the public.

Conquest of the other, negation of the self, in each of these life-size portraits, the hunter seems to be in pursuit of something, most often with the help of a lens.

To tend to the nothingness, to sharpen the threat to reach its own interiority; the sculptures of pierre hamelin sharpen these aims, make them multiple.

The work integrates sculpture, engraving and painting, and stages the notions of dialogue, ritual and gesture lost through the universe of electronic communications.

Withdrawals and Resonances proposes stagings where water and the idea of transition that it underlies becomes the central element.

Guy Giard exhibits the last part of a series of travelling exhibitions across Canada.

Juxtaposed with Hélène Goyette's drawings, Britta Klingenstierna presents these "civilized circles", a series of paper mache vases.

Nathalie Ducharme presents ceramic sculptures inspired mainly by architecture.

DARE-DARE invites artists to create a small work of art no larger than 3 inches x 3 inches.

Natalie Roy's sculptural installation invites us to an encounter with objects denatured from their original essence.

Anna Boghiguian exhibits her sculptures and works on paper made from various materials found in her immediate environment.

As part of the Month of Photography, the gallery presents the work of Wyn Geleynse. This Toronto-based artist is known for his reflection on the operations and complexity of memory.

The DARE-DARE gallery sells works by artists Michèle Delisle, Marcelle Ferron, Peter Krausz, Francine Simonin, Serge Tousignant and François Vincent.

Michèle Tremblay-Gillon's installation takes over the space of the DARE-DARE gallery with two columns placed face to face on opposite walls.

La Cité des cathédrales intérieures, presented at DARE-DARE, are "small temple-theaters perched atop arcades that trace the mad aspirations of the builders of ziggurats.

How randomness will take its shape... who knows? But there may be a sensation.