A gentle immersion into the world of lullabies, BERCER LE TEMPS invites to travel aboard a rocking chair. Set up in the heart of the city, the installation welcomes visitors in a suspended time-space outside of the surrounding urban bustle. Feet on the grass, swinging along, everyone can get carried away by the echoes of childhood through songs from all over the world.
Programming
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BERCER LE TEMPS
Sarah Dell’Ava, IIya Krouglikov and Wolfram SanderRead moreSeries of 4 workshops
Janie Julien-Fort, Steve Giasson, Jeanne Painchaud and Massecar • d'Orion duoRead moreSeries of 4 workshops with artists from our programming, in collaboration with the Sud-Ouest borough.
STEFANIE REQUIN TREMBLAY
Esthétique BureautiqueRead morePoetry inspired by the field of administration. A universe that is miles away from my work as an author and artist.
ODILE JORON
Faire partie du décorRead moreThe descriptions presented are 10 examples of Google searches I conducted. For the Public Writing component, the individuals described have been removed from the context in which they were photographed.
Claire Burelli
H41kusRead moreThe series consists of short poems, highlighting the interweaving of digital culture with the banality of life.
ALICE FELDT
WINDSWEPTRead more"Windswept" is an ongoing writing project, which explores a young pioneer woman’s transcendentalist journey into the American West.
SYLVIE LAPLANTE
CARTELSRead moreI stood in front of the space that contains the yellow luminous board. Questions arose like queries, challenges or games proposals. It looked like the beginning of dialogues.
Josée Yvon
Danseuses-mameloukRead moreJosée Yvon (1950-1994) is considered by many as the most dangerous writer of Quebec. Danseuses-mamelouk, published in 1982 by VLB editor, resume her first two books by adding a unique section.
Marie-Line Laplante
Grammar BookRead moreI draw sentences from grammar books. Each time I open a grammar book I am stuck by the italic and bold type sentences used as grammatical illustrations. I often set aside the rules of the book and become obsessed by the lost sense of the sentences so sacrificed for grammatical purposes.
Chloé Beaulac
Destination : NowhereRead moreI want DARE-DARE’s trailer to be perceived as a pit stop on a journey to nowhere. I chose excerpts from my personal travels on the roads and highways of Quebec, captured moments that seemed to me to be capable of reinventing the trailer’s function.
Marie-Andrée Poulin
YOU ARE ON A MOHAWK LANDRead moreThe idea was inspired by past collaboration with the Kahnawake community. For the project, my desire is to create a symbolic dialogue between colonist and Iroquois communities.
GENEVIÈVE LETARTE
Fenêtre sans rideauRead moreThe suite of unpublished poems that I propose here is at the same time a pagan haiku, an intimate slogan, an existential ad. In short, an individual word which wants to be collective according to the famous "I is another" of Rimbaud.
BLOGUEURS EN CAPTIVITÉ
Interventions within the Public Space and the InternetRead moreBloggers in captivity, guest artists Adam Bergeron (Quebec City) and Karen Elaine Spencer (Montreal) have accepted the challenge of imprisonment and alienation during the three-day event.
MAUDE S. PILON
INSTRUCTION DERNIÈRERead moreInvite people to the launch of the publication « les instructions inhospitalières » following the non-propitiousness of a project due to the disharmony of two networks.
Arkadi Lavoie Lachapelle
I Love You the Way You HateRead moreThe project reinterprets the slogan "I love myself as I am". Well used in the mercantile sauce to sell products or to promote ideologies aiming at the "well being" (especially with women), it often evacuates the questioning: "Who do I love?
Geneviève Amyot
Nous sommes beaucoup qui avons peurRead moreFear, especially its confrontation, is at the heart of Geneviève Amyot’s work and most of all in "Nous sommes beaucoup qui avons peur", published posthumous in 2003 by Éditions du Noroît.