Programming

Infiltration stages different mixes: photo-painting, photo-watercolor, photo-video and other materials that are coupled with photography. The particular flexibility of the medium offers the artists as many possible grafts. What happens to the specificity of photography and what discourses can accompany these types of productions?

The publication that accompanies the exhibition, with texts by Guy Bellavance and Katleen Goggin, attempts to update these discourses.