The project La chambre de Chiron (Chiron's room) treats the domestic diffusion space - of both the work and the body - as the site of an intimate, mythical experience.
Teams

arkadi lavoie lachapelle
arkadi lavoie lachapelle is an action artist, poet, and teacher who grew up in the country in a middle-class francophone family. They have been practising in Quebec’s metropolis for over ten years. They have a degree in visual and media arts from UQAM (2013) and have since presented their work in many exhibitions and festivals in Canada and Europe, notably in Spain and Germany. As part of their social commitment, they are a member of the Gham & Dafe studios and have been involved in the administration of the VIVA! Art Action festival. lavoie lachapelle has been a finalist for the Prix Pierre-Ayot (AGAC, 2020) and the Sobey Award for the Arts (2023); they have also received the support of their peers as demonstrated by several grants from the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.
Projects of arkadi lavoie lachapelle
Online tour of the exhibition
Read morearkadi lavoie lachapelle
La chambre de ChironRead moreProgramming launch
Performance and party!Read moreDARE-DARE invites you to celebrate the launch of its program Methods and Games in Space: Habitable Zones, on June 8, 2024.
METHODS AND GAMES IN SPACE : HABITABLE ZONES I
2023-2024 programmingRead moreThis program seeks to reflect, stimulate and activate, in all its diversity, the methodological inventiveness of in situ/in socius artistic practices and their transformative potential.
Book launch
VERS LIBRESRead moreFor five years, twenty-nine artists have been inspired by the socio-environmental context to offer aphorisms, poems and sentences that take the short form of slogan, haiku or tweet.
Arkadi Lavoie Lachapelle
I Love You the Way You HateRead moreThe project reinterprets the slogan "I love myself as I am". Well used in the mercantile sauce to sell products or to promote ideologies aiming at the "well being" (especially with women), it often evacuates the questioning: "Who do I love?